How can we kill creativity? The English say that there’s more than one ways to skin a cat, but let’s think about this a bit. How can we kill creativity? … Continue reading Art And Creation (Part 10): Can We Kill Creativity?
Category: Art and Aesthetics
Art And Creation (Part 9): 3 Steps To Reach The End Of Art
This is part of a blog series where I share some thoughts on “art and creation”. I have prepared various blogs inspired by a range of sources from Kabbalah to … Continue reading Art And Creation (Part 9): 3 Steps To Reach The End Of Art
Art And Creation (Part 8): The Quality Of An Aesthetic Experience In Time
This is part of a blog series where I share some thoughts on “art and creation”. I have prepared various blogs inspired by a range of sources from Kabbalah to … Continue reading Art And Creation (Part 8): The Quality Of An Aesthetic Experience In Time
Art and Creation (Part 7): The Duration Of Art
This is part 7 of a blog series where I share some thoughts on “art and creation”. I have prepared various blogs inspired by a range of sources from Kabbalah … Continue reading Art and Creation (Part 7): The Duration Of Art
Art As A Revelation
An excerpt from my recent article on John Dewey’s aesthetic theory for TheCollector
Animated Apollo
While working on my very first video essay on Nietzsche’s Birth of Tragedy (a topic which I have discussed in this blog before here and here), I began experimenting with … Continue reading Animated Apollo
Art and Creation (Part 6): Fractal Art
This is part 6 of a blog series where I share some thoughts on “art and creation”. I have prepared various blogs inspired by a range of sources from Kabbalah … Continue reading Art and Creation (Part 6): Fractal Art
Art and Creation (Part 5): Pleasure in Creation
This is part 5 of a blog series where I share some thoughts on “art and creation”. I have prepared various blogs inspired by a range of sources from Kabbalah … Continue reading Art and Creation (Part 5): Pleasure in Creation
Art and Creation (Part 4): The Uniqueness-Repetition Dialectic and Lastingness
This is part 4 of a blog series where I share some thoughts on “art and creation”. I have prepared various blogs inspired by a range of sources from Kabbalah … Continue reading Art and Creation (Part 4): The Uniqueness-Repetition Dialectic and Lastingness
Art and Creation (Part 3): Uniqueness and Repetition
This is part 3 of a blog series where I share some thoughts on “art and creation”. I have prepared various blogs inspired by a range of sources from Kabbalah … Continue reading Art and Creation (Part 3): Uniqueness and Repetition
Art and Creation (Part 2): DNA and the Unity of the Movements
This is part 2 of a blog series where I share some thoughts on “art and creation”. I have prepared various blogs inspired by a range of sources from Kabbalah … Continue reading Art and Creation (Part 2): DNA and the Unity of the Movements
Art and Creation (Part 1): Ein -Sof and Kabbalah
This is a blog series where I will be discussing some thoughts on “art and creation”. I have prepared various blogs inspired by a range of sources from Kabbalah to … Continue reading Art and Creation (Part 1): Ein -Sof and Kabbalah
Dewey on the Isolation of Art from Society
In the first part of his book Art as Experience, John Dewey explores the break between art and daily life.
Van Dyck, Rubens, and Mytens Paint Lord Arundel
Thomas Howard, 2nd Earl of Arundel was one of England’s great collectors of the early 17th century. Van Dyck, Rubens, and Mytens painted him in their unique way.
Apollonian and Dionysian Art
In the Birth of Tragedy Nietzsche came up with the two opposing art concepts of the Apollonian and the Dionysian.
Death from Laughter: Rembrandt and Zeuxis
The ancient Greek painter Zeuxis lived an unconventional life and sufffered an equally unconventional death; he died from laughter. The story is simple. Zeuxis excelled in the art of imitating … Continue reading Death from Laughter: Rembrandt and Zeuxis
Leo Tolstoy and Upper-Class Art (part 3)
Tolstoy finds that the upper-classes, the art critics and most professional artists lack the ability of being “infected” by emotions through art. This happens because they have accustomed themselves to … Continue reading Leo Tolstoy and Upper-Class Art (part 3)
Leo Tolstoy and Upper-Class Art (part 2)
According to Tolstoy, art in the West used to be attached to religion and was universally understood since it expressed the relationship between human and god which is supposedly the … Continue reading Leo Tolstoy and Upper-Class Art (part 2)
Leo Tolstoy and Upper-Class Art (part 1)
Tolstoy believes that there are no possible objective definitions of art or good taste. In reality philosopher’s and artists define as beauty what pleases a certain portion of society. Tolstoy … Continue reading Leo Tolstoy and Upper-Class Art (part 1)
Antonisch 